#!/usr/bin/perl # Usage: oblique_strategies [version numbers] # default (all) # author: Jason Thaxter # copyright to whoever done did it %selections; $edition; unless (@ARGV) { @ARGV = ('.') } $pattern = join '|', @ARGV; while () { ( $edition = $1 and next ) if m/^\.Edition (\d)/; $selections{$_}++ if $edition =~ m/$pattern/; } @selections = keys %selections; print $selections[ rand(@selections) ]; __DATA__ .Edition 1 Abandon normal instruments Accept advice Accretion A line has two sides Allow an easement (an easement is the abandonment of a stricture) Are there sections? Consider transitions Ask people to work against their better judgement Ask your body Assemble some of the instruments in a group and treat the group Balance the consistency principle with the inconsistency principle Be dirty Breathe more deeply Bridges - build - burn Cascades Change instrument roles Change nothing and continue with immaculate consistency Children's voices - speaking - singing Cluster analysis Consider different fading systems Consult other sources - promising - unpromising Convert a melodic element into a rhythmic element Courage! Cut a vital connection Decorate, decorate Define an area as `safe' and use it as an anchor Destroy - nothing - the most important thing Discard an axiom Disconnect from desire Discover the recipes you are using and abandon them Distorting time Do nothing for as long as possible Don't be afraid of things because they're easy to do Don't be frightened of cliches Don't be frightened to display your talents Don't break the silence Don't stress one thing more than another Do something boring Do the washing up Do the words need changing? Do we need holes? Emphasize differences Emphasize repetitions Emphasize the flaws Faced with a choice, do both (given by Dieter Rot) Feedback recordings into an acoustic situation Fill every beat with something Get your neck massaged Ghost echoes Give the game away Give way to your worst impulse Go slowly all the way round the outside Honor thy error as a hidden intention How would you have done it? Humanize something free of error Imagine the music as a moving chain or caterpillar Imagine the music as a set of disconnected events Infinitesimal gradations Intentions - credibility of - nobility of - humility of Into the impossible Is it finished? Is there something missing? Is the tuning appropriate? Just carry on Left channel, right channel, centre channel Listen in total darkness, or in a very large room, very quietly Listen to the quiet voice Look at a very small object, look at its centre Look at the order in which you do things Look closely at the most embarrassing details and amplify them Lowest common denominator check - single beat - single note - single riff Make a blank valuable by putting it in an exquisite frame Make an exhaustive list of everything you might do and do the last thing on the list Make a sudden, destructive unpredictable action; incorporate Mechanicalize something idiosyncratic Mute and continue Only one element of each kind (Organic) machinery Overtly resist change Put in earplugs Remember .those quiet evenings Remove ambiguities and convert to specifics Remove specifics and convert to ambiguities Repetition is a form of change Reverse Short circuit (example; a man eating peas with the idea that they will improve his virility shovels them straight into his lap) Shut the door and listen from outside Simple subtraction Spectrum analysis Take a break Take away the elements in order of apparent non-importance Tape your mouth (given by Ritva Saarikko) The inconsistency principle The tape is now the music Think of the radio Tidy up Trust in the you of now Turn it upside down Twist the spine Use an old idea Use an unacceptable color Use fewer notes Use filters Use `unqualified' people Water What are you really thinking about just now? Incorporate What is the reality of the situation? What mistakes did you make last time? What would your closest friend do? What wouldn't you do? Work at a different speed You are an engineer You can only make one dot at a time You don't have to be ashamed of using your own ideas [blank white card] .Edition 2 Abandon normal instruments Accept advice Accretion A line has two sides Allow an easement (an easement is the abandonment of a stricture) Always first steps Always give yourself credit for having more than personality (given by Arto Lindsay) Are there sections? Consider transitions Ask people to work against their better judgement Ask your body Assemble some of the instruments in a group and treat the group A very small object - Its centre Balance the consistency principle with the inconsistency principle Be dirty Be extravagant Breathe more deeply Bridges - build - burn Cascades Change instrument roles Change nothing and continue with immaculate consistency Children's voices - speaking - singing Cluster analysis Consider different fading systems Consult other sources - promising - unpromising Convert a melodic element into a rhythmic element Courage! Cut a vital connection Decorate, decorate Define an area as `safe' and use it as an anchor Destroy - nothing - the most important thing Discard an axiom Disciplined self- indulgence Disconnect from desire Discover the recipes you are using and abandon them Distorting time Do nothing for as long as possible Don't be afraid of things because they're easy to do Don't be frightened of cliches Don't be frightened to display your talents Don't break the silence Don't stress *on* thing more than another (sic) Do something boring Do the washing up Do the words need changing? Do we need holes? Emphasize differences Emphasize repetitions Emphasize the flaws Faced with a choice, do both (given by Dieter Rot) Feed the recording back out of the medium Fill every beat with something Get your neck massaged Ghost echoes Give the game away Give way to your worst impulse Go outside. Shut the door. Go slowly all the way round the outside Honor thy error as a hidden intention How would you have done it? Humanize something free of error Idiot glee (?) Imagine the piece as a set of disconnected events Infinitesimal gradations Intentions - credibility of - nobility of - humility of In total darkness, or in a very large room, very quietly Into the impossible Is it finished? Is the tuning intonation correct? Is there something missing? It is quite possible (after all) Just carry on Left channel, right channel, centre channel Listen to the quiet voice Look at the order in which you do things Look closely at the most embarrassing details and amplify them Lost in useless territory Lowest common denominator Make a blank valuable by putting it in an exquisite frame Make an exhaustive list of everything you might do and do the last thing on the list Make a sudden, destructive unpredictable action; incorporate Mechanicalize something idiosyncratic Mute and continue Not building a wall but making a brick Only one element of each kind (Organic) machinery Overtly resist change Put in earplugs Question the heroic approach Remember .those quiet evenings Remove ambiguities and convert to specifics Remove specifics and convert to ambiguities Repetition is a form of change Revaluation (a warm feeling) Reverse Short circuit (example; a man eating peas with the idea that they will improve his virility shovels them straight into his lap) Simple subtraction Simply a matter of work Spectrum analysis State the problem in words as simply as possible Take a break Take away the elements in order of apparent non-importance Tape your mouth (given by Ritva Saarikko) The inconsistency principle The most important thing is the thing most easily forgotten The tape is now the music Think of the radio Tidy up Towards the insignificant Trust in the you of now Turn it upside down Twist the spine Use an old idea Use an unacceptable color Use fewer notes Use filters Use `unqualified' people Water What are the sections sections of? Imagine a caterpillar moving What are you really thinking about just now? What is the reality of the situation? What mistakes did you make last time? What would your closest friend do? What wouldn't you do? What would your closest friend do? Work at a different speed You are an engineer You can only make one dot at a time You don't have to be ashamed of using your own ideas [blank white card] .Edition 3 Abandon normal instruments Accept advice Accretion A line has two sides Allow an easement (an easement is the abandonment of a stricture) Always first steps Are there sections? Consider transitions Ask people to work against their better judgement Ask your body Assemble some of the elements in a group and treat the group Balance the consistency principle with the inconsistency principle Be dirty Be extravagant Be less critical more often Breathe more deeply Bridges - build - burn Cascades Change instrument roles Change nothing and continue with immaculate consistency Children - speaking - singing Cluster analysis Consider different fading systems Consult other sources - promising - unpromising Courage! Cut a vital connection Decorate, decorate Define an area as `safe' and use it as an anchor Destroy - nothing - the most important thing Discard an axiom Disciplined self- indulgence Disconnect from desire Discover the recipes you are using and abandon them Distorting time Do nothing for as long as possible Don't be afraid of things because they're easy to do Don't be frightened of cliches Don't be frightened to display your talents Don't break the silence Don't stress one thing more than another Do something boring Do the words need changing? Do we need holes? Emphasize differences Emphasize repetitions Emphasize the flaws Fill every beat with something From nothing to more than nothing Ghost echoes Give the game away Give way to your worst impulse Go outside. Shut the door. Go slowly all the way round the outside Go to an extreme, move back to a more comfortable place Honor thy error as a hidden intention How would you have done it? Humanize something free of error Idiot glee (?) Imagine the piece as a set of disconnected events Infinitesimal gradations Intentions - nobility of - humility of - credibility of In total darkness, or in a very large room, very quietly Into the impossible Is it finished? Is the intonation correct? Is there something missing? It is quite possible (after all) Just carry on Listen to the quiet voice Look at the order in which you do things Look closely at the most embarrassing details and amplify them Lost in useless territory Lowest common denominator Make a blank valuable by putting it in an exquisite frame Make an exhaustive list of everything you might do and do the last thing on the list Make a sudden, destructive unpredictable action; incorporate Mechanicalize something idiosyncratic Mute and continue Not building a wall but making a brick Once the search is in progress, something will be found Only a part, not the whole Only one element of each kind (Organic) machinery Overtly resist change Question the heroic approach Remember .those quiet evenings Remove ambiguities and convert to specifics Remove specifics and convert to ambiguities Repetition is a form of change Retrace your steps Revaluation (a warm feeling) Reverse Short circuit (example; a man eating peas with the idea that they will improve his virility shovels them straight into his lap) Simple subtraction Simply a matter of work State the problem in words as clearly as possible Take a break Take away the elements in order of apparent non-importance The inconsistency principle The most important thing is the thing most easily forgotten The tape is now the music Think of the radio Tidy up Towards the insignificant Trust in the you of now Turn it upside down Use an old idea Use an unacceptable color Use fewer notes Use filters Use `unqualified' people Water What are the sections sections of? Imagine a caterpillar moving What are you really thinking about just now? What is the reality of the situation? What mistakes did you make last time? What wouldn't you do? What would your closest friend do? Work at a different speed Would anybody want it? You are an engineer You can only make one dot at a time You don't have to be ashamed of using your own ideas [blank white card] .Edition 4 Abandon desire Abandon normal instructions Accept advice Adding on A line has two sides Always the first steps Ask people to work against their better judgement Ask your body Be dirty Be extravagant Be less critical Breathe more deeply Bridges - build - burn Change ambiguities to specifics Change nothing and continue consistently Change specifics to ambiguities Consider transitions Courage! Cut a vital connection Decorate, decorate Destroy nothing; Destroy the most important thing Discard an axiom Disciplined self- indulgence Discover your formulas and abandon them Display your talent Distort time Do nothing for as long as possible Don't avoid what is easy Don't break the silence Don't stress one thing more than another Do something boring Do something sudden, destructive and unpredictable Do the last thing first Do the words need changing? Emphasize differences Emphasize the flaws Faced with a choice, do both (from Dieter Rot) Find a safe part and use it as an anchor Give the game away Give way to your worst impulse Go outside. Shut the door. Go outside. Shut the door. Go to an extreme, come part way back How would someone else do it? How would you have done it? In total darkness, or in a very large room, very quietly Is it finished? Is something missing? Is the style right? It is simply a matter or work Just carry on Listen to the quiet voice Look at the order in which you do things Magnify the most difficult details Make it more sensual Make what's perfect more human Move towards the unimportant Not building a wall; making a brick Once the search has begun, something will be found Only a part, not the whole Only one element of each kind Openly resist change Pae White's non-blank graphic metacard Question the heroic Remember quiet evenings Remove a restriction Repetition is a form of change Retrace your steps Reverse Simple Subtraction Slow preparation, fast execution State the problem as clearly as possible Take a break Take away the important parts The inconsistency principle The most easily forgotten thing is the most important Think - inside the work - outside the work Tidy up Try faking it (from Stewart Brand) Turn it upside down Use an old idea Use cliches Use filters Use something nearby as a model Use `unqualified' people Use your own ideas Voice your suspicions Water What context would look right? What is the simplest solution? What mistakes did you make last time? What to increase? What to reduce? What to maintain? What were you really thinking about just now? What wouldn't you do? What would your closest friend do? When is it for? Where is the edge? Which parts can be grouped? Work at a different speed Would anyone want it? Your mistake was a hidden intention